Found Around: Review: Herra Terra’s Quiet Geist

Written by Aidan Rush Posted in: Found Around on September 14, 2010

Existentialist sentiment is nothing new to the vacuum that is post adolescent direction.  Evidence of this can be found in one of this year's biggest releases, Arcade Fire’s The Suburbs, but comparing Herra Terra to Arcade Fire would be misleading. Whereas the former act’s attitude is represented in easygoing compositions with a largely defeatist mentality, the latter’s forthcoming debut LP Quiet Geist, dropping September 14th via Cincinnati-based label The Mylene Sheath, proves that the trio from Worcester hasn’t given up hope just yet. As a whole, the album is a rainbow of grey- with shades ranging from the opaque ash found in “Nothing is Yours to Keep” chronicling a relationship that simply ran out of gas, to the silver lined “Lost in Labyrinth” pushing listeners to keep digging deeper in search of the reason why.

The sounds in line to support such content don’t drift too far from the same spectrum. Atonal guitar arpeggios, heavily effected bass lines, an array of blips that sound like digital raindrops, runny synthesizer accompaniment, and a collection of industrialized machine-like percussion, that at times make the record sound like it was recorded in a factory, are all welcome here. Also abundant are prog-esque polyrhythms and a roster of songs that play like a well-written book where slow introductory development evolves into intense climaxes, only to dissipate into calming resolutions left open to interpretation.

The closest Quiet Geist gets to independent inspiration (albeit indirectly) is the musically and lyrically accessible “Ejection Seats” that will scare anyone out of letting their life slip into the unrelenting barbs of monotony. The opening track on a record of this kind has to leave a mark and opening track “Ejection Seats” bursts out of the gate with a provoking bass riff and distorted percussion, the first of many displays of virtuosic musicianship throughout the album’s entirety. Depicting a scene of stagnant drudgery, lead vocalist John Paul Tonelli howls “they’ll paint us pictures as we slave/ and I’m just too lazy to reason,” in effect resigning to the external forces that push for numbing regularity, until the chorus rescue, that is. Here, in front of a sweeping guitar and spacious vibe born out of the verse’s electronic tangle, Tonelli faces the music and confesses the seed behind his discomfort: unhappiness. “It’s hard to say that you don’t want to live this way/ I’ll proudly go/ I’m going” is the telling moral behind Quiet Geist.It speaks for the now or never instances faced so often by twenty somethings- the trying moments where chances at getting out and moving up hang in the balance, and sometimes are only attainable through flat out ejection from the current situation. Yet some can’t do it alone, and need a helping hand to guide them through the hazy maze. If you belong to that tribe, Quiet Geist is your new best friend. The word “you” and its derivatives are mentioned 59 times (“we” appears 57 times) throughout the album, most effectively in closing track “You Were the Accelerator.” Opening with repeating line “I’ll bring the kerosene if you bring the light/ I’ll be down, I’ll be around” goes to show that some just need a kick start to get out of the dumps. Here the reality of the dire situation is made apparent:“If you tell me now that we are out to ignite/ we’ll change our ways with a means of escape/ or we’ll spend our days with our face against this flame.”Once again, the epiphanies are set against a symphony of erratic synthesizers and cascading electric guitar arpeggios. True to form, the chorus widens out and lends itself to a more traditional rock sound, only to be recaptured by the bubbling tech effects with the return of the verse. Where “Ejection Seats” is scare tactics, “You Were the Accelerator” gives a legitimate reason to believe in the future, even if the only end goal is as seemingly trivial as forgetting life’s perpetually ticking clock: “Below the setting sun we’re wandering around/ if we erase it/ we are renown.” Quiet Geist- with its overcast and sometimes nihilistic tint- is more of an anthem for the disillusioned rather than an answer to their questions. Musically, this album and its experimental genre breeding may not be meant for everyone, and even for the intended audience, it will take some time to grow. Contextually, these songs traverse a lot of real estate, but none of them ever reach the object of their collective desires. And that’s a good thing, because the final step is yours to take. written by Aidan Rush

 

Find Herra Terra Online: .COM | Facebook | MySpace Buy Quiet Geist: Physical | Amazon | iTunes Herra Terra Live: Tour Dates

Vote now!
blog comments powered by Disqus